![]() The event is depicted in a 1936 mural located in San Francisco’s George Washington High School, by acclaimed Communist artist Victor Arnautoff, who studied under Diego Rivera and was part of a movement that “hoped to inspire change through criticism of the present political system.” “Town Destroyer” is a translation of the name given to George Washington by the Iroquois nation after he demanded the total destruction of their settlement and crops in a 1779 attack against the tribe that was aligned with the British. Parking is available around the park and the nearest bus stop is Pico/21st and Pico/23rd.Īccessibility: If you require any special disability related accommodations, please contact us at call us at (310) 458-8350 or TDD: (310) 458-8696 at least 5 days prior to the event.For a documentary to even-handedly and adroitly cover a complex, painful and controversial subject in just 52 minutes requires not only talent, but a clarity of vision, and cinematic compassion.Īward-winning Bay Area filmmakers Alan Snitow and Deborah Kaufman have accomplished just that in their timely Town Destroyer, with its world premiere at the Mill Valley Film Festival Saturday, October 8. Getting Here: This event will be held in person at the Thelma Terry Room at Virginia Avenue Park, 2200 Virginia Ave, Santa Monica, CA 90404. RSVP: Tickets are free but reservations are required. This is an in-person, indoor event and capacity is limited to 50 people. Refrain from attending if you are experiencing symptoms of COVID-19 or any other illness. ![]() īy registering for this program via this eventbrite page, you consent to receiving occasional email about cultural events from You can unsubscribe, or change your preferences at any time using the “unsubscribe” or “manage preferences” links on these emails.Ĭovid precautions and other info: Wearing a mask that covers nose and mouth is highly recommended but not required for this event. More information about the Reframe: City Hall Mural project. These events explore topics in public art, how community stories are told and who is reflected and represented in public history. The City Hall Mural project offers a series of civic memory conversations and activities to connect Santa Monicans' diverse histories and contemporary experiences. Meztli Projects is gathering public input on creative ideas for future events, potential new public art commissions, and policy updates to inform City actions around the mural and other art and equity projects.Īs part of its Acknowledge and Reframe Together ( Reframe) initiative, the City of Santa Monica began a public process in 2022 to consider the meaning, impact and potential responses to the WPA-era mural by Stanton Macdonald-Wright in the lobby of historic City Hall. ![]() Meztli’s Reframe: City Hall Mural project facilitation team is Joel Garcia, Robin Garcia Ph.D., Susannah Laramee Kidd Ph.D., and Rosten Woo. This event series is organized by Meztli Projects, an Indigenous-based arts & culture collaborative centering Indigeneity into the creative practice of Los Angeles, using arts-based strategies to support, advocate for, and organize to highlight Native and Indigenous Artists and systems-impacted peoples. Produced and Directed by Alan Snitow and Deborah Kaufman Executive Producer: Peggy Berryhill (Muscogee) Editor: Gregory Scharpen Original Music: Carla Kihlstedt and Matthias Bossi. This event is brought to you by the Santa Monica Public Library in partnership with Santa Monica Cultural Affairs and Meztli Projects. Stay after for a discussion facilitated by Meztli Projects that will tie themes from the documentary to the City of Santa Monica's current project around the WPA-era mural in the lobby of Santa Monica City Hall titled History of Santa Monica and the Bay District by Stanton Macdonald-Wright. The controversy becomes a community touchstone reflecting the national debate over public art and historic memory. The story focuses on the controversies over historic murals at a public high school depicting the life of George Washington: slaveowner, General, land speculator, President, and a man Seneca leaders called “Town Destroyer” after he ordered their villages razed during the Revolutionary War. Town Destroyer explores the ways we look at art and history at a time of racial reckoning. ![]() Artist Dewey Crumpler gestures to a portion of the Life of George Washington mural by Victor Arnautoff, 1936 in George Washington High School.Ĭontáctenos si requiere traducción al español al número de teléfono o correo electrónico en la sección "Accesibilidad" al final de esta página.
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